Religious Interactions in the Hellenistic World

International Conference

The Ioannou Centre for Classical and Byzantine Studies – Oxford,

Lecture Theatre 18-19 March 2017

Organisers: Dr Sofia Kravaritou & Dr Maria Stamatopoulou

Info: sofia.kravaritou@classics.ox.ac.uk;maria.stamatopoulou@classics.ox.ac.uk

Connecting people or promoting diversity? Endorsing diplomatic affinities among empires and local communities by forging social bonds between ethnically and culturally diverse people, or instigating social conflicts based on varied group identities within major urban centres? What was the driving force in communicating and sharing heterogeneous cult practices and beliefs among the populations of the Hellenistic World? The conference will discuss how and whether religious interactions helped achieve a successful operation of institutions and whether they contributed to the cohesion of the peoples in the Hellenistic empires. The area covered stretches from Sicily and Italy to Bactria.

The issues that will be addressed include: the role of cult practices and religious beliefs in the emergence and development of the socio-political and cultural interface of the Hellenistic World; how and whether rulers promoted religious interactions in order to achieve social cohesion; what were the major effects of the social policies and initiatives related to cult affairs that were implemented by non-royal social agents; the development of shared cult practices among ethnically and culturally diverse agents and cult participants as a key factor in acculturation processes in metropoleis and smaller communities; the evolution of religious institutions and sacred spaces both in local and regional socio-cultural contexts; the role of interconnectivity and communication networks; religious diversity and modes of exchange between Greek and non-Greek traditions of religious practice and thought; the nature and motivation behind the wide distribution of certain deities and cult practices; the role of private groups and associations; one’s gods and the gods of the others  ̶  perception of self and the ‘other’ as a medium of self-representation within the Hellenistic cosmos.

Attendance – Info

    • Attendance is free for all Oxford university members, staff and students. In order to have a sense of numbers, and ensure that we adhere to Fire Regulation restrictions we would appreciate it if you could contact us to inform us if you are planning to attend.
    • ttendance is free for all Oxford university members, staff and students. In order to have a sense of numbers, and ensure that we adhere to Fire Regulation restrictions we would appreciate it if you could contact us to inform us if you are planning to attend.

 

Conférence sur le dialecte dorien chez Callimaque

Dans le cadre d’une journée d’étude sur la linguistique grecque et latine organisée à la Maison de l’Orient et de la Méditerranée (MOM) le vendredi 20 janvier 2017, M. Alcorac Alonzo Deniz (CNRS, HiSoMA) fera une communication intitulée « Ἰαστὶ καὶ Δωριστὶ καὶ τὸ σύμμικτον. Questions dialectales du texte de Callimaque. » Elle aura lieu de 10h à 10h45 en salle Reinach (au 4ème étage de la MOM).

matin2-page-001

Colloque international : La féminité dans les arts hellénistiques : voix, genre, représentations

ENS de Lyon – UMR 5189 Hisoma

Du 7 au 9 septembre 2017

English version : https://hellpoet.hypotheses.org/208

L’essor des mouvements féministes aux Etats-Unis, puis dans l’ensemble du monde occidental, a suscité, ces quarante dernières années, un intérêt particulier pour les questions relatives aux « voix féminines » dans les textes antiques : la poésie épique archaïque, la poésie lyrique et le théâtre classique ont été étudiés par des philologues, mais aussi des historiens et des anthropologues, à travers cette optique nouvelle. Ces travaux, notamment la synthèse de S.B. Pomeroy (1975), ont fait de la « féminité » un objet d’étude à part entière dans tous les domaines de la philologie classique : y sont comprises les questions du corps féminin, de la sexualité et de l’identité féminine, ainsi que celle de l’accès à la parole. En France, de nombreux travaux ont également été produits sur le sujet. Les plus novateurs et les plus marquants furent ceux de Nicole Loraux, qui développe dans Les enfants d’Athéna (1981) et Les expériences de Tirésias (1989) une lecture « sexuée » de la démocratie athénienne. Assez curieusement, cependant, ces études ont pour une bonne part laissé de côté l’ensemble de la production hellénistique, alors même que l’approche de la femme et de la voix féminine connaissent à cette époque des transformations et des évolutions importantes.

Si le statut de la femme évolue de manière très sensible entre l’époque classique et l’époque hellénistique, si certaines femmes, comme Arsinoé ou Bérénice, jouent un rôle politique de premier plan dans l’Égypte lagide, peut-on dire pour autant que dans l’univers poétique alexandrin la place de la femme connaît une transformation importante ? Cette place de la femme dans la poésie alexandrine concerne essentiellement les modalités de la prise de parole féminine et des conditions dans lesquelles un discours est proféré par une instance locutrice féminine. Plus généralement, les femmes bénéficient dans la littérature hellénistique d’un traitement relativement favorable. Cela est vrai aussi bien à propos des individus « réels » — et l’on pense ici aux poétesses Anytè et Nossis —, que concernant les personnages fictifs. Dans de nombreuses œuvres, en effet, le poète-narrateur, s’il est souvent de sexe masculin, délègue sa voix à des locutrices secondaires. C’est le cas des Syracusaines de l’Idylle XV, de la magicienne Simaitha de l’Idylle II de Théocrite, mais aussi des figures d’Hypsipylé, d’Arété ou de Médée dans les Argonautiques d’Apollonios de Rhodes, ou encore de Cassandre dans l’Alexandra de Lycophron.

Entre ces deux sortes de discours féminins existe certes une certaine asymétrie : lorsque l’auteur est une femme, dans le cas des épigrammatistes, la voix de la poétesse et celles des locutrices fictives sont de même genre. Lorsque l’auteur est un homme, une frontière nette sépare toujours la voix du poète de celles des locutrices secondaires. Cette différence ne doit toutefois pas conduire à envisager séparément ces deux modes de prise de parole féminine : au contraire, étudier les caractéristiques attribuées à la parole féminine peut être le moyen de mettre en lumière les représentations auxquelles les poétesses réelles étaient confrontées, de comprendre quel rapport entretient leur œuvre avec ces représentations et quelle est l’originalité de leur positionnement poétique ou du traitement qu’elles réservent à certaines thématiques. Au-delà de cette problématique particulière, nous aimerions, dans ce colloque, étudier l’évolution de la parole féminine, tant dans son contenu que dans sa mise en scène littéraire, à une époque où, aussi bien en politique qu’en art et en science, les femmes sont plus présentes que par le passé aux côtés des hommes.

On pourra ainsi s’interroger sur le type de questions suivantes, sans que cette liste soit exhaustive :

– La dimension politique du discours féminin

– La divinisation de la femme de pouvoir

– La femme comme figure de l’altérité

– Les intertextualités du discours féminin

– Les occupations et fonctions féminines

– Les modalités discursives de la voix féminines

– L’influence du statut familial des femmes (filles, mères, épouses, concubines…) sur leur prise de parole

– L’influence du statut social de la femme sur son discours et sa représentation

– La question du féminin en face de la féminité

– L’utilisation du biculturalisme gréco-égyptien dans les représentations hellénistiques

 

 

Vous voudrez bien retourner votre proposition de communication pour le 15 février 2017 aux adresses suivantes :

christophe.cusset@ens-lyon.fr, nadege.wolff@ens-lyon.fr, claireemmanuelle.nardone@ens-lyon.fr, pierre.belenfant@ens-lyon.fr

Votre proposition doit être composée d’un titre, d’un résumé et d’un bref CV.

International conference: Femininity in Hellenistic Arts: Voice, Gender and Representations

ENS de Lyon – UMR 5189 Hisoma

September 7th to September 9th 2017                                                                                                             French version: https://hellpoet.hypotheses.org/210

The rise of feminist movements in the USA, and later in the rest of the western world, has aroused a special interest in issues related to women’’s voices in ancient literature: during the last four decades, philologists, historians and anthropologists, have studied archaic epics, lyrics and classical drama from this new viewpoint. These works, especially S.B Pomeroy’’s synthesis (1975), have made femininity a legitimate topic in every area of classical philology: it includes such issues as women’s body, feminine identity and sexuality, and women’’s access to speech. In France, numerous works have been produced on this matter, the most noteworthy and the most innovative of which are Nicole Loraux’’s: in Les enfants d’Athéna (1981) and Les experiences de Tirésias (1989) she expounds a new vision of the Athenian democracy, based on gender theories. Curiously enough, however, most of these studies overlook the Hellenistic period, even though women’’s status, and therefore the way their voice was taken into account, were then undergoing significant changes. There is indeed an important gap in this respect between classical and Hellenistic times: some women for instance, like Arsinoe or Berenice, played a prominent political role in Ptolemaic Egypt: does such an evolution entail changes in the way women are depicted in Alexandrian poetry? More specifically, does this evolution entail changes in how female characters speak? Considering the whole of Hellenistic literature, one must admit that women are prominent in the known corpus. This is true for historical figures, such as the female poets Anyte and Nossis, as well as for fictitious characters. Indeed, there are many cases in which the poet-speaker, although he is often a male character, yields the floor to secondary female speakers. This is the case for the Syracusan ladies in Idyll XV, or the magician Simaitha in Idyll II by Theocritus, but also for Hypsipyle, Arete or Medea in Apollonius’’ Argonautica, or even for Cassandra in Lycophron’’s Alexandra. In the latter case, there is no perfect symmetry between male and female poets: when the author is a woman, the poetess’’s voice and that of the fictitious speakers are of the same gender. When the author is a man, a clear-cut frontier always separates the poet’’s voice from that of the secondary female speakers. However, this difference must not lead us to consider separately these two kinds of feminine discourse: on the contrary, by studying the specific features which are assigned to feminine discourse in poetry, we may determine the stereotypes real female poets had to cope with, and how they responded to them in their works. It may also help us appreciate their originality in terms of self-representation and esthetic choices. More generally speaking, this conference is meant to shed light on the evolutions of women’’s discourse, its contents and the way it was perceived, at a time when women’’s presence was getting more obvious in politics, arts and sciences than in the past. The following issues may also be tackled:

-Political aspects of women’’s discourse

-Deification of female leaders

-Woman as the Other

-Intertextuality in women’’s discourse

-Women’’s occupations and functions

-Gendered voices

-The influence of family status (daughters, mothers, wife, concubines, ) on women’’s discourse

-The influence of social status on women’’s discourse and representations

-Female voices and female identity

-Greco-Egyptian biculturalism and women’’s representations in the Hellenistic period.

Other proposals are of course welcome.

Please send an abstract of your paper and a short CV by the 15th of February 2017 to the following addresses: christophe.cusset@ens-lyon.fr, nadege.wolff@ens-lyon.fr, claireemmanuelle.nardone@ens-lyon.fr, pierre.belenfant@ens-lyon.fr

Groningen Workshop on Hellenistic Poetry

The Groningen Workshops on Hellenistic Poetry have over the past 25 years provided an important venue for the presentation of new ideas in the field of Hellenistic poetry. In September 2017 the instigator and organizer of these workshops, Professor Annette Harder, will be retiring from the University of Groningen, which means that an end of the workshops in their present form is imminent.

To honor Annette Harder and fittingly celebrate her career in the service of Hellenistic poetry, whose acme has undoubtedly been the publication of a monumental new edition of Callimachus’ Aetia, we are organizing a final Groningen Workshop entitled,’Callimachus Revisited’, on September 12-14, 2017. Callimachus formed the focus of the first Groningen workshop in 1992, and was revisited in 2002. It seems fitting to close the series by returning to this central poet once more, ask how our understanding of Callimachus has developed over the past 25 years, and consider future directions.

The workshop will co-incide with Annette’s Valedictory Lecture, on 14th September, 2017. Unlike previous editions, there is no open Call for Papers this year, as all speakers have been especially selected for this special occasion. But of course all are welcome to attend and help celebrate Annette’s career. The program of the workshop and other practical information will be published on the website as soon as possible.

If you have any questions, please do not hesitate to contact us.

On behalf of the organizing committee,

Dr. Martine Cuypers (Trinity College Dublin)
Dr. Jacqueline Klooster (University of Groningen)

Overview of the Groningen Workshops on Hellenistic Poetry

  1. Callimachus (1992)
  2. Theocritus (1994)
  3. Genre in Hellenistic Poetry (1996)
  4. Apollonius Rhodius (1998)
  5. Hellenistic Epigrams (2000)
  6. Callimachus II (2002)
  7. Beyond the Canon (2004)
  8. Nature and Science in Hellenistic Poetry (2006)
  9. Gods and Religion in Hellenistic Poetry (2008)
  10. Hellenistic Poetry in Context (2010)
  11. Past and Present in Hellenistic Poetry (2013)
  12. Drama and Performance in Hellenistic Poetry (2015)

The proceedings of every workshop are published in the series ‘ Hellenistica Groningana ’ by Peeters Publishers (Leuven). The first three volumes are published by Forsten Publishing (Groningen).

Athletics in the Hellenistic World

9783515115711

This is the first book on athletics in the Hellenistic era, with 16 contributions covering a range of historical, archaeological and philological perspectives. Previous scholarship has focused primarily on the classical age and the Roman imperial period, but it was in the Hellenistic age that Greek sport saw several important developments: the spread of Greek athletic culture in the East following the campaigns of Alexander the Great, the foundation of new athletic contests, and the emergence of a professional association of athletes. Topics discussed in this volume include how agonistic victories were exploited in legitimating (some) Hellenistic kings, the value placed on athletic prowess in the lively urban culture of this time, the role of sport in defining Greek identity, and the changing modes of representation of athletic action in literature and the arts. In emphasizing the central place of athletics in Greek culture, these papers offer new insights and will have far-reaching implications for our understanding of the wider political and social history of the Hellenistic period.

Mimiambs of Herodas

Translated into an English ‘Choliambic’ Metre with Literary-Historical Introductions and Notes by Anna Rist

Londres-New York, Bloomsbury Academic, 2016.

ISBN : 9781350004207

$ 120

9781350004207_200x_the-mimiambs-of-herodas

The third-century BC Greek poet Herodas had been all but forgotten until a papyrus of eight of his Mimiambs (plus fragments) turned up in the Egyptian desert at the end of the 19th century. They have since been translated into various modern languages and supplied with scholarly commentaries. This book is the first to attempt to reproduce in English Herodas’ ‘choliambic’ or ‘limping’ metre (sic) – distinctive for its signatory reversed final foot, a variant on the standard Greek iambic trimeter. The present volume provides an accessible introduction to Herodas and his Mimiambs requiring no knowledge of Greek. The translation steers a judicious course between literal accuracy and fidelity to this linguistically very demanding poet’s spirit and intention. The contextual introductions and notes on the poems take into account the most recent scholarship, providing explanation of the context of the Mimiambs and guiding the reader to an appreciation of the poetry itself. The General Introduction places the author in his cultural world and context, namely urban society in the Ptolemaic Empire of the hellenistic period. This he conjures up in his Mimiambs with an often scathing vividness.

Dialect, Diction, and Style in Greek Literary and Inscribed Epigram

Ed. by Sistakou, Evina / Rengakos, Antonios

ISBN 978-3-11-049879-0

De Gruyter – Series : Trends in Classics – Supplementary Volumes 43

9783110498790

Table of Contents

Ewen Bowie: Doing Doric

Dee L. Clayman : Callimachus’ Doric Graces: 15 GP = 51 Pf.

Taylor Coughlan: Dialect and Imitation in Late Hellenistic Epigram

Lucia Floridi: The Language of Greek Skoptic Epigram of the I‒II centuries AD

Regina Höschele: “Unplumbed Depths of Fatuity?” Philip of Thessaloniki’s Art of Variation

Gregory O. Hutchinson: Pentameters

Demetra Koukouzika: Epigrams in Epic? The Case of Apollonius Rhodius

Jan Kwapisz: When Is a Riddle an Epigram?

Giulio Massimilla: The ἀπὸ κοινοῦ Construction of Prepositions as a Feature of the Epigrammatic Style

Egbert J. Bakker: Archaic Epigram and the Seal of Theognis

Michael A. Tueller: Words for Dying in Sepulchral Epigram

Benjamin Acosta-Hughes: A Little-Studied Dialogue: Responses to Plato in Callimachean Epigram

Kathryn Gutzwiller: Style and Dialect in Meleager’s Heraclitus Epigram

Richard Hunter: A Philosophical Death?

Marco Fantuzzi: Novice Pastoral Eros and Its Epigrammatic Critics

Nita Krevans: Pastoral Markers in Hellenistic Epigram: The Fan-Fiction Approach

Francesca Angiò: A Sundial for a Deceased Woman: Two Epigrams from Pamphylia (I–II A. D.)

Valentina Garulli: Playing with Language in Everyday Poetry: hapax legomena in Inscribed Funerary Epigrams

David Petrain: Hearing Heracles on the Tabula Albani

Andrej Petrovic: Casualty Lists in Performance. Name Catalogues and Greek Verse-Inscriptions

Ivana Petrovic: The Style and Language of Epigrammatic Programmata

Index

9783110498790-dialect-diction-and-style-in-greek-literary-and-inscribed-epigram-table-of-contents

 

Femmes influentes dans le monde hellénistique et à Rome (IIIe siècle av. J.-C. – Ier siècle apr. J.-C.).

Bielman Sánchez, Anne, Isabelle Cogitore and Anne Kolb (edd.).

Grenoble: ELLUG Université Grenoble Alpes, 2016. 260 p. € 25.00 (pb). ISBN 9782843103278.

couv_femmes_influentes.indd

Reines, impératrices, mères ou sœurs de dirigeants : entre l’Égypte de Cléopâtre et la Rome de Néron, elles ont toutes participé aux jeux politiques. Ce livre donne des clés pour comprendre le rôle des femmes influentes et la relation qu’elles entretenaient avec le pouvoir dans les mondes antiques.

Description

Alors que la question des Gender Studies est fréquemment abordée sous l’angle anthropologique, principalement dans le monde anglo-saxon, elle est ici résolument tournée vers l’histoire, la littérature et les institutions. Fondé sur la pratique de la comparaison, l’ouvrage analyse les relations entre les femmes des classes dirigeantes et les structures institutionnelles et politiques des deux principales sociétés antiques, en soulignant les divergences entre Grecs et Romains vis-à-vis de ces relations ; le titre en forme de périphrase, « Femmes influentes », révèle les difficultés terminologiques d’une telle analyse. Les sources littéraires, grecques et latines, ainsi que les monnaies et les inscriptions, sont exploitées pour comprendre la façon dont les femmes ont exercé un pouvoir tantôt indirect tantôt direct, dans des domaines variés : clientèles et relations diplomatiques, patrimoine, stratégies familiales. Les synthèses des deux chapitres qui structurent le livre mettent en évidence un certain nombre de problématiques transversales, qui peuvent stimuler de nouvelles études, y compris en dehors des périodes et des sphères géographiques envisagées ici. En effet, cette approche polyphonique sur les femmes influentes ouvre de nouvelles voies à la réflexion, sur le temps long, jusqu’à aujourd’hui : les femmes influentes de l’Antiquité – tout comme les femmes influentes contemporaines – conduisent à s’interroger sur la frontière entre sphère privée et sphère publique et sur les modalités spécifiques des actions publiques féminines.

Hellenistic epigram: contexts of exploration.

207641210897179215

This book offers scholars and students of Hellenistic and Roman literature an overview of Hellenistic epigram, a field closely related to other Hellenistic poetry and highly influential upon Roman poetry. In fourteen themed chapters, it foregrounds the literary, linguistic, historical, epigraphic, social, political, ethnic, cultic, onomastic, local, topographical and patronage contexts within which Hellenistic epigrams were composed. Many epigrams are analysed in detail and new interpretations of them proposed. Throughout, the question is asked whether epigrams are literary jeux d’esprit (as is often assumed without proper discussion) or whether they relate to real people and real events and have a function in the real world. That function may be epigraphic, for example an epigram can be the epitymbion for inscription at someone’s grave, or the anathematikon for inscription on or beside a dedicated object, or a picture-label – an ekphrasis to accompany a painting or mosaic.

Cairns, Francis

Cambridge: Cambridge University Press, 2016. xviii, 516 p. $120.00. ISBN 9781107168503.

Aetia on the web

http://dcc.dickinson.edu/callimachus-aetia/preface

 

This site contains a Greek text, English translation, notes, and vocabulary for Aetia (Αἴτια, « Causes ») by the Alexandrian poet Callimachus (310/305–240 BC), along with an introduction, an interactive map of places mentioned, a bibliography, and images of the papyrus fragments on which the text is largely based.

Aetia is a collection of elegiac poems in four books that deals with the foundation of cities, unusual religious ceremonies, and unique local traditions from around the Greek world. It survives not in manuscript form but in papyrus fragments and quotations by later authors. This site is not a complete collection of every identifiable scrap of the Aetia, as is Annette Harder’s monumental print edition (Oxford: Oxford University Press, 2012). But all coherent, understandable fragments are included, as well as some very short fragments with good explanatory scholia (commentary by ancient scholars).

This project was originally conceived by Prof. Susan Stephens of Stanford University, as a way to achieve four goals:

  • increase access among classicists at every career stage (from undergraduate to senior scholar) to the fragmentary text of the Aetia
  • provide a format for an exchange of information for scholars who are working on aspects of the poem
  • allow immediate integration of new papyrus finds
  • use the visual and spatial capabilities of the web

It began with the collaboration of colleagues at Stanford University, including Fred Porta, and The Ohio State University in 2010, including Benjamin Acosta-Hughes and Aaron Palmore. When the Stanford-OSU team encountered technical difficulties in 2012, DCC inherited a draft of the content, and the present Drupal site was created under my supervision, beginning in January 2013. Prof. Stephens wrote the notes and introductory material. The translation is by Fred Porta (Stanford), thoroughly revised by Meagan Ayer (Dickinson; Ph.D., Classics, University at Buffalo, 2012). Daniel Plekhov (Dickinson ’14) created the table of contents and revised the Greek text. The vocabulary lists derive from a dictionary initially created by Aaron Palmore (OSU) and Fred Porta (Stanford). Katie Cantwell (University of Illinois at Urbana-Champaign), Nicholas Stender (Dickinson ’15), and Meagan Ayer edited and expanded this list into fuller running lists that conform to the DCC house style: all words not included in the DCC Core Greek Vocabulary are glossed. I further edited these lists and inserted links to Smith’s Dictionary of Greek and Roman Geography Mythology (as digitized at Perseus) and to other reference works as appropriate. Meagan Ayer further edited and formatted the Greek text. She collected a comprehensive list of places mentioned in the Aetia and inserted links to Pleiades for each one in the notes and vocabulary fields. She also collected a comprehensive list of the papyrological sources of the text, inserting into the notes fields links to the authoritative database of metadata at Trismegistos. Katy Purington (Dickinson ’15) created the map of places mentioned in the Aetia, using MapBox. The original DCC format was designed by Chris Stamas, and the sites are created and maintained on the technical side by Dickinson web developer Ryan Burke.

The creation of this site was made possible by the Roberts Fund for Classical Studies at Dickinson College, at Dickinson’s Department of Classical Studies and the Mellon Fund for Digital Humanities at Dickinson College, and the Department of Classics at Stanford University.

For the Greek text we have employed the editorial supplements in the edition of Rudolf Pfeiffer (Callimachus: vol. 1, Fragmenta. Oxford: Clarendon Press, 1949), though in a number of places it has been updated to include new finds and the the work of subsequent scholars on Pfeiffer’s text. The majority of these have been incorporated into the texts of Annette Harder. To aid in readability, papyrological notations have been kept to a minimum. Square brackets indicate editorial supplements, which are presented in gray. There are no sublinear dots to indicate doubtful letters, since images of the texts will reveal this information. Iota subscripts and traditional sigmas have been used throughout. In some instances fragments have been truncated, with only those sections which are fully legible and coherent presented. The same applies to the scholia (comments by ancient scholars that often appear on the papyri) and diegeseis (explanatory mythological narratives written by ancient scholars).

I would like to thank Prof. Stephens and everyone who helped make this site possible. If you have a suggestion, or would like to contribute and improve the site, please let me know, or use the « suggest an edit » links on the text pages.

Chris Francese, June 2, 2016, francese@dickinson.edu

Tragic Failures Alexandrian Responses to Tragedy and the Tragic

This study focuses on the reception of tragedy and the tragic in Hellenistic poetry. It illustrates how classical tragedy and the tragic idea were incorporated in the poems of Callimachus and Theocritus, Apollonius’ Argonautica, the iambic Alexandra and late Hellenistic poetry. It demonstrates that ‘the tragic’ was not doomed to failure in the postclassical world but lived on through the works of the great Alexandrian poets and their followers.

Content:

Introduction: From Tragedy to the Tragic

  1. Tragedy, from Athens to Alexandria

The contexts of Hellenistic tragedy

Ptolemaic cultural politics and tragedy

Performing, reciting or reading tragedy?

Tragedy enters the Library

  1. The Metaclassical Tragic

Tragedy as philosophy and its Hellenistic reworking

The impossibility of Aristotelian tragedy

Callimachus on (not) writing tragedy

Establishing tragedy and the tragic in Alexandria

  1. Alexandrian Tragedy

The star system of the Alexandrian tragedians

Rupture and revival of tragic myth

Historical tragedy makes a comeback

Generic divergences and tragic crossovers

  1. Callimachus Displaces the Tragic

Transcending the tragic in the Hymns

Tragic fragmentariness in the Aetia

Hecale, a mundane tragedy

  1. Redefining the Tragic in the Idylls of Theocritus

A messenger speech without a messenger

The bucolic world’s a stage

Simaetha’s tragic failures

  1. Tragedy into Epic in Apollonius’ Argonautica

Distilling Attic tragedy into the Argonautica

Epic teleologies and tragic modalities

An Alexandrian epic on tragic passions

  1. In the Metatragic Cosmos of the Alexandra

The Alexandra, a metatragic play

From the tragedy of Cassandra to ‘becoming Alexandra’

Tragedy as textual unconscious

  1. The Romantic Tragic

Domesticizing tragedy

The tragedy of love

Parthenius, from tragedy to melodrama

Conclusion: Tragic Failures and Hellenistic Challenges

Bibliography

Index

De Gruyter, juillet 2016

Marque éditoriale :  De Gruyter

ISBN :  9783110480634

249p.

The Gods of Greek Hexameter Poetry

From the Archaic Age to Late Antiquity and Beyond

Edited by James J. Clauss, Martine Cuypers and Ahuvia Kahane

CONTENTS

1  Hiero’s Question: An Introduction………………………………… 1

James J. Clauss, Martine Cuypers and Ahuvia Kahane

2  The Justice of Zeus in the Theogony?……………………………. 21

Jenny Strauss Clay

3  The Gods in the Narratives of the Homeric Hymns ……. 32

Andrew Faulkner

4  Divine Perspective and the Plots of Zeus in the Hesiodic Catalogue…. 43

Kirk Ormand

5  Herding Cats: Zeus, the Other Gods, and the Plot of the Iliad …… 60

Jim Marks

6  Poseidon in the Odyssey …………………………………………… 76

Richard P. Martin

7  The Gods in Cyclic Epic ………………………………………………. 95

Christos Tsagalis

8  Ares in the Pseudo-Hesiodic Shield …………………………….. 118

Timothy Heckenlively

9  Heldendämmerung Anticipated: The Gods in Apollonius’ Argonautica….135

James J. Clauss

10  Zeus in Aratus’ Phaenomena …………………………………….. 152

John Ryan

11  Gods in Callimachus’ Hymns……………………………………… 164

Ivana Petrovic

12  Gods in Fragments: Callimachus’ Hecale ………………….. 180

Massimo Giuseppetti

13  Erotic Battles? Love, Power-Politics and Cosmic Significance
in Moschus’ Europa and Eros on the Run………………………………. 197

D. Morrison

14  Reading Homer, Writing Troy: Intertextuality and Narrativity
of the Gods and the Divine in Quintus of Smyrna’s Posthomerica …………..215

Silvio Bär

15  ‘With a Little Help from my (Divine) Friends’: Double Motivation
and Personification in Triphiodorus’ Sack of Troy ……………………… 231

Laura Miguélez-Cavero

16  The Huntress and the Poet: Artemis in the Cynegetica …………………… 243

Adam Bartley

17  Naming the God of Metamorphosis: The Ever-changing Shape
of the Infant Dionysus in Nonnus’ Dionysiaca ……………………………………… 256

Domenico Accorinti

18  Jesus’ Late Antique Epiphanies: Healing the Blind in the Christian Epics
of Eudocia and Nonnus ………………………………………. 268

Anna Lefteratou

19  Gods and Men in Colluthus’ Rape of Helen …..…………… 288

Enrico Magnelli

20  The Argonautica of Orpheus as ‘Poetic Theology’? Divine Hierarchies
in Late Antique Philosophy and Poetry ………. …………………..298

Oliver Schelske

21  Polytheism in the Sibylline Oracles ………………………. 309

L. Lightfoot

22  Homer’s Gods and Virgil’s Aeneid ………………………………… 339

Ward Briggs

23  The Gods in Ovid’s Fasti ………………………………………. 353

Fritz Graf

24  From Epiphanic Idyll to Faith-bound Epyllia: Tennyson’s Poetic Descent from Virgil to Gibbon ……………………………………….. 367

Edward Adams

25  Modernity and the Twilight of the Epic Gods: Reading Derek Walcott
and Alice Oswald ………………………………………………………… 385

Ahuvia Kahane

Bibliography ………………………………… 407

Index …………………………………………… 443

Hellenistic Poetry. A Selection

9780472053131

A major new collection of use to all students and scholars working on Hellenistic Greek poetry

This collection of texts is designed to supplement those currently available for use in courses on Hellenistic poetry. Most have never before appeared in a similar collection; several have only recently been discovered. The individual commentaries have been written by the leading international scholars on Hellenistic poetry, and are designed to help the reader with more difficult aspects of the language, as well as to provide some basic guidance to each poem’s literary value and relevant scholarship.

 

The text of each poem is presented, together with basic help on obscure vocabulary, morphology, dialect, meter, syntax, and similar philological issues. The modern commentators also offer guidance on a poem’s literary significance and a brief introduction to the scholarship.

 

Among the 44 named and anonymous poets represented here are Apollonius of Rhodes, Archimedes, Aristotle, Callimachus, Cercidas, Corinna, Eratosthenes, Erinna, Ezekiel, Hermesianax, Herodas, Lycophron, and Phanocles.

 

Contributors to the volume in addition to David Sider include: Silvia Barbantani, James Clauss, Dee Clayman, Christophe Cusset, Claudio De Stefani, Marco Fantuzzi, Andrew Ford, Kathryn Gutzwiller, Johanna Hanink, Regina Hoeschele, Richard Hunter, David Konstan, Pauline LeVen, Kelly MacFarlane, Enrico Magnelli, Jackie Murray, Pura Nieto, Maria Noussia, Douglas Olson, Floris Overduin, Richard Rawles, Ralph Rosen, Chad Schroeder, Alexander Sens, Evina Sistakou, Michael Tueller, and Athanassios Vergados.

 

Although designed primarily as a textbook for graduate students and upper-level undergraduates, the book offers texts and subsidiary information not easily found (if at all) elsewhere. Since Latin poets made constant allusion to Hellenistic poetry, it will also be an important resource for Latinists.

 

David Sider is Professor of Classics at New York University.

 

  • Hardcover 2016 Forthcoming
  • 978-0-472-07313-9

 

  • $90.00 U.S.

 

  • Paper 2016 Forthcoming
  • 978-0-472-05313-1

 

$49.50 U.S.

 

Voir le lien : http://www.press.umich.edu/4748527/hellenistic_poetry

L’épigramme dans tous ses états

Santin_COUV.indd

SANTIN, Eleonora (dir.) ; FOSHIA, Laurence (dir.).

L’épigramme dans tous ses états : épigraphiques, littéraires, historiques.* Nouvelle édition [en ligne]. Lyon : ENS Éditions, 2016 (généré le 08 juin 2016). Disponible sur

Internet : <http://books.openedition.org/enseditions/5621>. ISBN :

9782847888188.

 

Contenu :

Eleonora Santin et Laurence Foschia

Avant-propos

Eleonora Santin et Laurence Foschia

Introduction

« EPIGRAMMATIZÔ, EPIGRAMMATIZEIS, EPIGRAMMATIZEI… » « Je, tu, il épigrammatise … »

Erkki Sironen

Variation of Supports for Verse Inscriptions in Roman Greece

Enrico Magnelli

Potnia and the like: the vocabulary of domination in Greek love epigram of the Imperial period

Valentina Garulli

Posidippe, auteur épigraphique ?

Poètes et auteurs

Epigrammata de poetis

Évelyne Prioux

Une histoire des styles en épigrammes : essai de confrontation entre Posidippe et Dioscoride

Flore Kimmel-Clauzet

Un hommage de poète à poète ? Sur quelques aspects des épigrammes grecques funéraires consacrées aux poètes des époques archaïques et classiques

Hamidou Richer

Epigrammata de poetis, phraséologismes et références : le cas de Léonidas de Tarente

Étienne Wolff

Poètes latins auteurs et/ou destinataires d’épigrammes funéraires

Alfredo Mario Morelli

Calvus et l’image du poète dans l’œuvre de Catulle (à propos des thèmes du banquet en Catulle 50)

Propositions d’analyse textuelle

Gauthier Liberman

Une expérimentation littéraire avec un seul lendemain : deux épigrammes de Properce (I, 21-22) en diptyque et une ode d’Horace (I, 28)

Avec une édition critique des poèmes

Daniel Vallat

De Catulle à Martial : la constitution d’un discours épigrammatique sur l’obscénité

Fonctions civiles et religieuses dans les épigrammes

Joseph W. Day

Servants of the goddess: Female religious agency in archaic and fifth-century Greek epigrams and dedications

Bruno Helly

Épigramme funéraire de Gonnoi pour Dikaiogénès, mort au combat au cours de la troisième guerre de Macédoine dans la région d’Askuris (Bas-Olympe)

Jean-Claude Decourt

De quelques épigrammes grecques trouvées en France : marins, négociants et poètes

Andreas Rhoby

Methods of self-representation in Byzantine inscriptional epigrams: some basic thoughts

Gianfranco Agosti

Les langues de l’épigramme épigraphique grecque : regard sur l’identité culturelle chrétienne dans l’Antiquité tardive